’ROUND M: MONTEVERDI MEETS JAZZ

 

MONTEVERDI Lamento della ninfa, Ohimè ch’io cado, Romanesca, Sì dolce è il tormento

SANCES Usurpator tiranno

MERULA Canzone sopra la nanna

FONTEI Pianto di Erinna;

NEGRI Trasfigurazione della ninfa

 

Roberta Mameli (soprano)

La Venexiana / Claudio Cavina

 

featuring: Emanuele Cisi (soprano and tenor saxophones)

Fausto Beccalossi (accordion)

Alberto Lo Gatto (double bass)

Donato Stolfi (drums)

 

Recorded in Mondovì (Sala Ghisleri), Italy, in November 2009

 

What happens when you bring the worlds of jazz and Monteverdi together? Is there a musical meeting-point where the two can exist? Claudio Cavina has believed in this possibility for some time,

witness some very ‘modern’ moments in his recent Glossa recordings of the Scherzi musicali and L’incoronazione di Poppea.

 

Yet, this is not La Venexiana playing jazz: Cavina and his musicians do not change a note of the original scores. Instead they bring all their experience and expertise of playing Monteverdi’s madrigals, sacred music (the 1610 Vespers being their current performing focus) and operas to bear on a group of ‘ballads’ from the 17th -century, but in the company of a select quartet of improvising jazz musicians on saxophone, accordion, double bass and drums and all with the warm, soaring, story-telling vocal tones of Roberta Mameli shining through as protagonist.

 

The clue lies in the album’s title, with the musicians tipping their hats and paying hommage to jazz standards. And Cavina says that within Monteverdi’s music, “there is something modern, something new and

innovatory which encourages one to dare, to go further.”

 

Glossa GCDP30917