C.P.E. BACH (1714-1788)

Solo Keyboard Music Vol. 17

 

The ‘Württemberg’ Sonatas (2):

Sonata No. 4 in B flat major, Wq 49/4 (H32)

Sonata No. 5 in E flat major, Wq 49/5 (H34)

Sonata No. 6 in B minor, Wq 49/6 (H36)

 

Miklós Spányi (clavichord)

 

The previous instalment in Miklós Spányi’s survey of the solo keyboard music by Carl Philipp Emanuel Bach was described as “another magisterial achievement” in Early Music Review, whose critic judged that the “arrival at those six masterly Württemberg Sonatas marks a new high point” in the series.

 

Consisting of the final three Württemberg Sonatas, the present disc gives collectors the opportunity to enjoy Spányi’s interpretation of the full set. Dedicated to the young and gifted Duke of Württemberg, who studied with Emanuel Bach during his time as Chamber Musician in the employ of Frederick the Great of Prussia, the Sonatas are very demanding, clearly intended for skilful, professional keyboard players rather than the amateurs who at this time were becoming an important target for composers and publishers.

 

These works have almost symphonic or even operatic dimensions and attitudes; in fact they may almost be called romantic, conjuring up ‘fantastic and colourful landscapes’, in Spányi’s own words. They are here performed on C.P.E. Bach’s own favourite instrument, the clavichord, instead of the more usual harpsichord; a choice of instrument for which Miklós Spányi makes an eloquent case: ‘A big and heavily strung clavichord can not only produce delicate and refined effects but is also capable of strong, dramatic contrasts and a very rich, even monumental sound.’

 

The reviewer on All Music Guide seems to agree, judging from the verdict on the previous disc: “the Württemberg Sonatas are substantial works ... and, more importantly, highly expressive works. As always, Spányi is a superb advocate of Bach's subtle and elusive music, playing on a supple and responsive clavichord.”

 

BIS BISCD1424