SIR ARNOLD BAX (1883-1953)

Symphonic Variations

 

Symphonic Variations (1916-18)

Theme: Lento espressivo

I. Youth: Allegro: Restless and tumultuous

II. Nocturne: Slow and serene: Broadly

III. Strife: Allegro vivace

IV. The Temple: Slow and solemn

V. Play: Scherzo: Allegro vivace – Intermezzo: Enchantment: Very moderate tempo

VI. Triumph: Moderate tempo – Glowing and passionate

Concertante for Piano (Left Hand) and Orchestra (1949)

 

Ashley Wass (piano)

Bournemouth Symphony Orchestra / James Judd

 

Bax completed five works for piano and orchestra, beginning in 1916 with the highly virtuosic Symphonic Variations dedicated to the pianist Harriet Cohen. The work was likened by Rosa Newmarch, who wrote the programme note for the first performance, ‘to some great epic poem dealing with the adventures of a hero . . . passing through a number of different experiences.’

           

The Concertante for Piano (Left Hand) and Orchestra (1949) is on a smaller scale. The romantic slow movement opens with a beautiful and haunting piano tune which gives way to a brooding atmospheric middle section, coloured by typical Baxian orchestral textures, like swirling mists in a nocturnal vision of some Irish coastal vista.

 

“The young pianist Ashley Wass play[s] impeccably – not only stylishly, but also with subtle, expressive shading and lovely liquid tone quality.” The Independent

 

Wass summons up all the tone color and sustaining power needed to convey the orchestral sensibility of the piano writing…In short, collectors who've enjoyed Wass' previous Bax discs also will find this well-recorded, superbly annotated release to their liking.” Classics Today on 8557769

 

Naxos 8570774