JOHN DOWLAND Lute Songs

1 Unquiet thoughts [3'46]

2 Say, Love, if ever thou didst find [1'54]

3 Sorrow, stay! [4'06]

4 Away with these self-loving lads [2'35]

5 Fantasia No 7 from A Varietie of Lute Lessons LUTE SOLO [3'44]

6 Come again! sweet love [4'56]

7 Sleep, wayward thoughts LUTE SOLO [1'32]

8 Come, heavy Sleep [4'28]

 

BENJAMIN BRITTEN Nocturnal after John Dowland Op 70 Reflections on Come, heavy Sleep GUITAR SOLO [17'55]

9 Musingly (Meditativo) [2'10]

10 Very agitated (Molto agitato) [0'43]

11 Restless (Inquieto) [1'37]

12 Uneasy (Ansioso) [1'28]

13 March-like (Quasi una marcia) [1'38]

14 Dreaming (Sognante) [1'59]

15 Gently rocking (Cullante) [1'17]

16 Passacaglia: Measured (Misurato) – Slow and quiet (Molto tranquillo) [6'53]

 

JOHN DOWLAND Lute Songs

17 Flow, my tears [4'28]

18 I must complain [4'50]

19 If my complaints could passions move [3'04]

20 Captain Digorie Piper’s Galliard LUTE SOLO [1'42]

21 What if I never speed? [2'22]

22 To ask for all thy love [2'23]

23 Now, O now, I needs must part [6'12]

24 In darkness let me dwell [4'25]

 

Total Duration: 75'25

 

Mark Padmore - tenor

Elizabeth Kenny - lute

Craig Ogden - guitar

 

Mark Padmore is widely acknowledged as one of the greatest tenors working today, celebrated in the opera house, the concert hall and as a peerless recording artist. He is admired—among other things—for his ‘extraordinary diction and whispering chamber-like intimacy … [his] joy in conveying the emotional core of each situation’ (Gramophone) and it is these facets of his performance—together with the exquisite musicianship of Elizabeth Kenny—which make this disc of Dowland songs such a delight. The little world of each song is sensitively explored and beautifully expressed.

 

Elizabeth Kenny writes in her scholarly booklet notes that ‘over the years many great singers have made Dowland’s voice their own, and this is one of our starting points for this disc’. Padmore and Kenny have used some perhaps less familiar manuscripts to perform a number of these songs and the result is fascinating.

 

Britten’s Nocturnal after John Dowland, written for Julian Bream in 1963, is an extended exploration of the tensions and nightmares behind the song Come, heavy Sleep, and receives a darkly brilliant performance here by Craig Ogdon.

 

Hyperion CDA67648