ROAD TO PARADISE
Gabrieli Consort & Players, Paul McCreesh
Thomas Tallis (circa 1505 - circa 1585)
Miserere nostri
Clangat pastor in tuba - Responsory & Prose for the feast of St. Thomas à Becket
Robert Parsons (circa 1530 - circa 1570)
Ave maria - motet, 5vv
Benjamin Britten (1913 - 1976)
A Hymn to the Virgin (1930, rev. 1934)
William Byrd (circa 1543 - 1623)
Christe, qui lux es
John Sheppard (circa 1515 - 1515)
Media vita
Richard Rodney Bennett (1936 - )
A Good-Night
John Tavener (1944 - )
Song for Athene
John Sheppard (circa 1515 - 1515)
In pace in idipsum
Gustav Holst (1874 - 1934)
Nunc Dimittis
William Henry Harris (1883 - 1973)
Bring us, O Lord God
Herbert Howells (1892 - 1983)
Take him, earth for cherishing (1963) (motet on the death of President Kennedy)
English text: Helen Waddell
Gregorian Chant
In paradisum
McCreesh turns an artistic thread binding the two golden ages of English choral music – Tudor and 20th-century – into a pilgrimage of the soul, from life to death to immortality in paradise, in this essentially “commercial” programme. It ranges from Tallis’s Miserere nostri, via 13th-century plainchant, to Herbert Howells’s commission commemorating the assassinated American president John F Kennedy, Take him, Earth, for Cherishing – written in 1963, but filled with grief for his own son, who had died, aged nine, almost 30 years earlier. Richard Rodney Bennett’s tribute to Linda McCartney, A Good-Night (1998), and John Tavener’s Song for Athene (sung at Diana, Princess of Wales’s funeral service in 1997) are less interesting, musically, than Howells’s masterpiece. However, Robert Parsons’s Ave Maria, William Byrd’s Christe, qui lux es and especially John Sheppard’s enormous, almost 20-minute Media Vita make ample amends, as do the 16-year-old Britten’s prodigious A Hymn to the Virgin and Holst’s beautiful Nunc Dimittis. There are riches here, superbly sung by the Gabrielis, and the spiritual “packaging” should help the disc to fly out of the shops.
Times
DG 4776605