SIR WILLIAM WALTON

Viola Concerto original version (1928/9) [24'51] First Modern Recording

1 Andante comodo [8'39]

2 Vivo, con molto preciso [4'09]

3 Allegro moderato [12'03]

 

EDMUND RUBBRA

4 Meditations on a Byzantine Hymn for solo viola Op 117 (1962) [11'15] First Recording

 

Viola Concerto in A major Op 75 (1952) [25'05]

5 Introduzione quasi una Fantasia [10'06]

6 Molto vivace [4'48]

7 Collana musicale: Andante moderato [10'11]

 

Total Duration: 61'13

 

Lawrence Power viola

BBC Scottish Symphony Orchestra / Ilan Volkov

 

‘Power is a latter-day Orpheus, an expression of music’s power to disarm, encourage, soothe and serenade’

(Financial Times)

 

This recent appraisal of Lawrence Power affirms his status as one of the foremost violists of today. His unremitting musical eloquence and brilliant technical ability have consistently drawn the highest praise for all his recordings and performances.

 

In our record of the month for June, Lawrence is joined by the BBC Scottish Symphony Orchestra and Ilan Volkov. The disc brings together three major pieces by two outstanding and highly individual English composers. Walton’s Viola Concerto is one of his greatest works—haunted throughout by the dreamy opening melody, yet suffused with action and vigour, exhibiting the dazzling, biting brilliance familiar from works such as Façade. The ‘eloquent epilogue’, wrote Walton’s biographer Michael Kennedy, ‘remains the single most beautiful passage in all his music, sensuous yet full of uncertainty’. It is presented here in the original 1928 version in its first modern recording.

 

Rubbra’s Viola Concerto is also one of its composer’s major works, demonstrating the new musical depths he had sounded with his Sixth Symphony and showing influences of the symphonic traditions of Tchaikovsky and Sibelius. Alongside it we have the first recording of Rubbra’s Meditations on a Byzantine Hymn for solo viola, an extended virtuoso work of religious and solemn aspect.

 

Hyperion CDA67587