SERGEY PROKOFIEV

 

String Quartet No. 1 in B minor, Op. 50 (1930–31) 23:51

1 I. Allegro 6:57

2 II. Andante molto. Vivace 7:09

3 III. Andante 9:42

 

Sonata for Two Violins in C major, Op. 56 (1932) 14:57

4 I. Andante cantabile 3:14

5 II. Allegro 2:55

6 III. Commodo (quasi Allegretto) 3:35

7 IV. Allegro con brio 5:04

 

String Quartet No. 2 in F major, Op. 92, on Kabardinian themes (1941) 21:34

8 I. Allegro sostenuto 6:14

9 II. Adagio 7:21

10 III. Allegro. Andante molto 7:52

 

String Quartets 1 & 2

Pavel Haas Quartet

 

 

The Pavel Haas Quartet, one of the very finest chamber ensembles of the present time, earned for their first two CDs of the quartets of Janáček and Pavel Haas numerous prestigious accolades (Classic FM Gramophone

Award, BBC Music Magazine Award, Cannes MIDEM Classical Award, etc.).

 

With the Prokofiev pieces featured on this album the Quartet has for the first time entered the field of the Russian (or, if you will, international) repertoire. Prokofiev plunged into writing his first quartet in 1930 during his first sojourn in America on the basis of a commission from the Library of Congress in Washington DC. 

The “classical” sounding work blends the easily distinguishable inspiration by Beethoven’s quartets and the typically Prokofievian pungency and lyricism. The duet, written in Paris, is an inconspicuous yet masterly smallscale work of art and alongside Bartok’s 44 violin duets ranks among the paramount opuses of this genre.

The second quartet came into being in 1941 in the Caucasus, where the Soviet government had moved the artistic elites and their families so as to protect them against the Nazi onslaught. Here Prokofiev came across untouched folk material which he sensitively, humbly and with the precise degree of artistic stylisation incorporated into the “Kabardinian” quartet.

Their sheer musicality and ferocious youthful energy make the Pavel Haas Quartet an ideal interpreter of these gems of Prokofiev’s chamber oeuvre.

 

Supraphon SU39572