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ANTICO, ANDREA Frottole Intabulate Libro Primo, Roma 1517. Maria Luisa Baldassari. Tactus

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Antico Andrea Frottole Intabulate Libro Primo Maria Luisa Baldassari Tactus

Andrea Antico (1470/1480 – 1540 ca.)
Frottole Intabulate per sonare organi Libro Primo, Roma 1517


Instrumental Music / Keyboard - Renaissance - Historical Instruments

1. Che farala che dirala 1:50
2. Occhi miei lassi 3:03
3. Non più morte al mio morire 1:02
4. Per dolor mi bagno el viso 4:09
5. Chi non crede che al mondo el sol nutrisca 2:02
6. Gentil donna se in voi 1:43
7. Crudel fuggi se sai 1:22
8. Non resta in questa valle 1:51
9. Son io quel ch’era quel dì 0:57
10. Fiamma amorosa e bella 1:41
11. Dolce ire dolci sdegni 1:57
12. Amor quando fioriva mia speme 2:02
13. Hor ch’el ciel et la terra 2:59
14. Che debbio fare 1:29
15. Non resta in questa valle 2:05
16. Chi non crede che al mondo el sol nutrisca 2:15
17. La non vol esser più mia 1:48
18. Si è debile el filo 2:34
19. Per mio ben te vederei 2:18
20. O che aiuto o che conforto 1:46
21. O che dirala mo 1:02
22. Stavasi Amor dormendo sotto un faggio 1:18
23. Odi cielo el mio lamento 1:36
24. Me lasserà tu mo 1:33
25. Frena donna i toi bei lumi 1:05
26. Virgine bella che del sol vestita 2:46
27. Cantai mentre nel core 1:18
28. Animoso mio desire 1:20
29. Hor che’l ciel et la terra 2:48

Total Time 57:44

Text in:
Italian - English by Maria Luisa Baldassari

Organist and harpsichordist Maria Luisa Baldassari leads us to discover Andrea Antico da Montona, musician and printer of the early Renaissance. His great ability as an engraver allowed him to compete with Ottaviano Petrucci - the undisputed prince of musical printing - and his soul as a ‘cultural entrepreneur’ led him to the courageous and pioneering operation of proposing the intavolatura (the reduction of Vocal or instrumental polyphonic compositions) for the keyboard, instead of the lute as it was in vogue at the time. For the recording of the Frottole Intabulate (the frottola is the most popular Italian folk song in use between the fifteenth and sixteenth centuries), Maria Luisa Baldassari takes advantage of performing original period instruments: the spinetta, the spinetta Harpsichord, clavichord, the rare and archaic clavisimbalum, and the magnificent 1533 Vincenzo Colombi organ of the Chiesa del SS. Corpo di Cristo in Valvasone (Udine).

Tactus TC480101

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