BACH The RIAS Bach Cantatas Project. Berlin 1949-1952. RIAS Kammerchor / Karl Ristenpart. Audite 9cds

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Bach The Rias Bach Cantatas Kammerchor Karl Ristenpart Audite 9Cds

  • Bach The Rias Bach Cantatas Kammerchor Karl Ristenpart Audite 9Cds
  • Bach The Rias Bach Cantatas Kammerchor Karl Ristenpart Audite 9Cds

The RIAS BACH CANTATAS PROJECT Berlin, 1949 – 1952

Ach Gott, wie manches herzeleid, BWV58

Liebster jesu, mein Verlangen, BWV32

Jesus nahm zu sich die Zwölfe, BWV22

Herr jesu christ, wahr’ mensch, BWV127

Christ lag in todes Banden, BWV4

Der himmel lacht! Die erde jubilieret, BWV31

Am abend aber desselbigen sabbats, BWV42

Es ist euch gut, daß ich hingehe, BWV108

Wer da gläubet und getauft wird, BWV37

Es ist ein trotzig und verzagt Ding, BWV176

Brich dem hungrigen dein Brot, BWV39

Die himmel erzählen die ehre Gottes, BWV76

Ich hatte viel Bekümmernis, BWV21

Siehe, ich will viel Fischer aussenden, BWV88

Wo Gott der herr nicht bei uns hält, BWV178

Mein herze schwimmt im Blut, BWV199

Ihr, die ihr euch von christo nennet, BWV164

Wer sich selbst erhöhet, BWV47

Ich will den Kreuzstab gerne tragen, BWV56

Schmücke dich, o liebe seele, BWV180

Aus tiefer not schrei ich zu dir, BWV38

Falsche Welt, dir trau ich nicht, BWV52

Wachet auf, ruft uns die stimme, BWV140

Es erhub sich ein streit, BWV19

Gott der herr ist sonn und schild, BWV79

Weichet nur, betrübte schatten, BWV202

Gottes Zeit ist die allerbeste Zeit, BWV106

Herr, wie du willt, so schick’s mit mir, BWV7

Ich weiß, daß mein erlöser lebt, BWV160

Soprano: Johanna Behrend, Edith Berger-Krebs, Gertrud Birmele, Marie-Luise Denicke, Agnes Giebel, Gerda Lammers, Lilo Rolwes, Gunthild Weber

Alto: Lorri Lail, Ingrid Lorenzen, AnneliesWesten, Charlotte Wolf-Matthäus

Tenor: Helmut Krebs

Baritone: Dietrich Fischer-Dieskau, Walter Hauck

Bass: Gerhard Niese

RIAS Kammerorchester, RIAS Kammerchor, RIAS Knabenchor / Karl Ristenpart

This 9-CD boxed set of first releases from the RIAS archives presents the first ever attempt at a recording of the complete Bach cantatas.

For everyone who is interested in the history of Bach interpretation and in the development of Germany’s post-1945 cultural rebuilding, these recordings represent a significant enrichment. From 1946, Karl Ristenpart established choral and orchestral ensembles at the RIAS Berlin, directing the RIAS Kammerchor and the RIAS Kammerorchester. With these ensembles, and emerging young singers (including Dietrich Fischer-Dieskau, Helmut Krebs and Agnes Giebel), Karl Ristenpart and Elsa Schiller, then head of music at the RIAS, embarked in 1947 upon a recording series of the complete Bach cantatas. However, it proved impossible to realise the project in its entirety. The 29 cantatas which survive in the RIAS archives document a Bach ideal which is pioneering even by today’s standards: thanks to small-scale

forces the musical structures are distinct and transparent, and the singers link their articulation to that of the instrumentalists. This interpretation, which is free of any monumentalism, paved the way, aesthetically, for historically informed performance practice.

Audite 9cds AUDITE21415

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