BRAHMS Zigeunerlieder Op. 103, Sechs Lieder und Romanzen Op. 93a, Drei Quartette Op. 64. Christopher Glynn. Consortium / Andrew-John Smith. Hyperion

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Brahms Zigeunerlieder Op 103 Sechs Glynn Consortium Andrew-John Smith Hyperion

JOHANNES BRAHMS (1833–1897)

Sechs Lieder und Romanzen Op 93a

1 Der bucklichte Fiedler [1'55] 2 Das Mädchen [2'48] 3 O süßer Mai [2'20]

4 Fahr wohl [1'46] 5 Der Falke [2'33] 6 Beherzigung [1'09]

Drei Quartette Op 64with Christopher Glynn (piano)

7 An die Heimat [5'41] 8 Der Abend [5'14] 9 Fragen [3'08]

Fünf Gesänge Op 104

10 Nachtwache I [2'49] 11 Nachtwache II [1'24] 12 Letztes Glück [2'28]

13 Verlorene Jugend [1'49] 14 Im Herbst [6'22]

Zigeunerlieder Op 103 with Christopher Glynn (piano)

15 He, Zigeuner, greife in die Saiten ein! [1'31] 16 Hochgetürmte Rimaflut, wie bist du so trüb [1'18] 17 Wisst ihr, wann mein Kindchen [1'36]

18 Lieber Gott, du weisst, wie oft bereut ich hab [1'11] 19 Brauner Bursche führt zum Tanze [1'22] 20 Röslein dreie in der Reihe blühn so rot [1'29]

21 Kommt dir manchmal in den Sinn [2'57] 22 Horch, der Wind klagt in den Zweigen traurig sacht [2'53]

23 Weit und breit schaut niemand mich an [1'48] 24 Mond verhüllt sein Angesicht [3'22] 25 Rote Abendwolken ziehn [1'25]

Total Duration: 66'33

Christopher Glynn - piano

Consortium / Andrew-John Smith

This charming disc presents a comprehensive selection of Brahms’s secular choral music. Through his professional activities, Brahms had a continuous interest in producing music for choirs, as well as profound insight into their capabilities. His impressive output of a cappella sacred choruses and motets makes learned and creative reference to such Baroque masters as Gabrieli, Schütz and Bach. Yet Brahms was equally adept in the traditions of the unaccompanied Romantic choral song, the Chorlied, following the lead of Schubert, Mendelssohn and Schumann, and adapting the form to his own characteristic ends. He also wrote a large number of vocal duets and quartets with piano accompaniment, including the popular Zigeunerlieder, which are testimony to his extraordinary fascination for gypsy music and its fertilizing effect on his style.

Selections from these secular forms are performed by the professional chamber choir Consortium, conducted by Andrew-John Smith, who will be familiar to Hyperion listeners from his acclaimed recording of Saint-Säens’ organ works.

Hyperion CDA67775

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