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IGNACIO CERVANTES (1847-1905)
Danzas Cubanas
Álvaro Cendoya, piano
Los tres golpes (The Three Blows)
Cortesana (Courtesan)
El velorio (The Wake)
La encantadora (The Enchantress)
Adiós a Cuba (Farewell to Cuba)
Vuelta al hogar (Coming Home)
Cri-Crí (Rustling of Petticoats)
Ilusiones perdidas (Lost Dreams)
La carcajada (Laughter)
Homenaje (Hommage)
La glorieta (The Carousel)
Almendares
Improvisada (Improvised)
No bailes más (Dance No More)
Decisión (Decision)
Mensaje (Message)
Picotazos (Lovebites)
Un recuerdo (A Memory)
Soledad (Solitude)
Amistad (Friendship)
Invitación (Invitation)
Interrumpida (Interrupted)
La celosa (The Jealous Woman)
Amén
¡Pst!
Siempre sí (Yes Forever)
Tiene que ser (It Has To Be)
No llores más (Weep No More)
Duchas frías (Cold Showers)
No me toques (Don’ t Touch Me)
Zigs-Zags
Gran señora (Grande Dame)
Intima (Intimate)
Lejos de ti (Far Away From You)
Se fue y no vuelve más (Gone Never To Return)
Fusión de almas (Spiritual Union)
Te quiero tanto (I Love You So)
¿Por qué, eh? (Why, Huh?)
Ignacio Cervantes is a key figure of Latin American piano music. As the cultural and national identity of his native Cuba gained strength through the 19th century, the genres of danza and contradanza became a fixture of the island’s dance and concert halls, providing a bridge between different sections of society. Cervantes’s pieces, which display a similar swing and verve to Scott Joplin’s ubiquitous Rags, synthesize Cuban local humour and colour with the Romantic aesthetic of Chopin. Their titles range from the poignant Adiós a Cuba, to the laughter of La carcajada.
Naxos 8572456
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