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CZESLAW MAREK
Chamber Works and Piano Music
Turban (violin)
Dall'Ollio (harp)
Jenkinson (cello)
Cechova, Girod, Janowska (piano)
Sonata for violin and piano, Op. 13 - I. Allegro moderato Czeslaw Marek (1891-1985) Ingolf Turban (violin), Jitka Cechova (piano)
Sonata for violin and piano, Op. 13 - II. Adagio ma non troppo Czeslaw Marek (1891-1985) Ingolf Turban (violin), Jitka Cechova (piano)
Sonata for violin and piano, Op. 13 - III. Allegro Czeslaw Marek (1891-1985) Ingolf Turban (violin), Jitka Cechova (piano)
Suite de quatre morceaux for violin and piano, Op. 18 - I. Romance Czeslaw Marek (1891-1985) Ingolf Turban (violin), Jitka Cechova (piano)
Suite de quatre morceaux for violin and piano, Op. 18 - II. Canzone solennelle Czeslaw Marek (1891-1985) Ingolf Turban (violin), Jitka Cechova (piano)
Suite de quatre morceaux for violin and piano, Op. 18 - III. Gavotte en style ancient Czeslaw Marek (1891-1985) Ingolf Turban (violin), Jitka Cechova (piano)
Suite de quatre morceaux for violin and piano, Op. 18 - IV. Allegro scherzando Czeslaw Marek (1891-1985) Ingolf Turban (violin), Jitka Cechova (piano)
Berceuse for violin and piano, Op. 26 Czeslaw Marek (1891-1985) Ingolf Turban (violin), Jitka Cechova (piano)
Deux pièces romantiques pour harpe, Op. 31 - No. 1 Moderato ma non troppo Czeslaw Marek (1891-1985) Gabrielle Dalla'Ollio (harp), Catherine White (harp), Patrizia Maier (harp), Hugh Webb (harp)
Deux pièces romantiques pour harpe, Op. 31 - No. 2 Allegro moderato Czeslaw Marek (1891-1985) Gabrielle Dalla'Ollio (harp), Catherine White (harp), Patrizia Maier (harp), Hugh Webb (harp)
Ondine pour deux harpes, Op. 32 Czeslaw Marek (1891-1985) Gabrielle Dalla'Ollio (harp), Catherine White (harp), Patrizia Maier (harp), Hugh Webb (harp)
Rondeau pour quatre harpes, Op. 33 Czeslaw Marek (1891-1985) Gabrielle Dalla'Ollio (harp), Catherine White (harp), Patrizia Maier (harp), Hugh Webb (harp)
Petite Suite en clef de sol pour piano, Op. 36a - No. 1 Invention Czeslaw Marek (1891-1985) Marie-Catherine Girod (piano)
Petite Suite en clef de sol pour piano, Op. 36a - No. 2 Marche Czeslaw Marek (1891-1985) Marie-Catherine Girod (piano)
Petite Suite en clef de sol pour piano, Op. 36a - No. 3 Chanson Czeslaw Marek (1891-1985) Marie-Catherine Girod (piano)
Petite Suite en clef de sol pour piano, Op. 36a - No. 4 Ronde Czeslaw Marek (1891-1985) Marie-Catherine Girod (piano)
Petite Suite en clef de sol pour piano, Op. 36a - No. 5 Danse Czeslaw Marek (1891-1985) Marie-Catherine Girod (piano)
Petite Suite en clef de sol pour piano, Op. 36a - No. 6 Toccata Czeslaw Marek (1891-1985) Marie-Catherine Girod (piano)
Canzone solennelle and Gavotte en style ancien pour violoncelle et piano, Op. 18a - No. 1 Andante fastoso Czeslaw Marek (1891-1985) Richard Jenkinson (cello), Marie-Catherine Girod (piano)
Canzone solennelle and Gavotte en style ancien pour violoncelle et piano, Op. 18a - No. 2 Gavotta all'antica Czeslaw Marek (1891-1985) Richard Jenkinson (cello), Marie-Catherine Girod (piano)
Sérénade italienne for two pianos, Op. 16a Czeslaw Marek (1891-1985) Marie-Catherine Girod (piano), Ludmila Janowska (piano)
Annemarie for two pianos, Op. 38a Czeslaw Marek (1891-1985) Marie-Catherine Girod (piano), Ludmila Janowska (piano)
A unique mixture of influences characterizes the style of Polish composer Czeslaw Marek (1891-1985), who from 1915 lived in Switzerland. When his music was first revived in the 1990s, it was hailed by the press as being an important voice of music in the first half of the 20th century. The first instalment of a complete edition of his music, originally released in 1996-2000 in close co-operation with the Zentralbibliothek Zürich where his estate is housed, received an ECHO Classical award, and the further instalments strengthened the picture of Marek as a most influential individual and surprising composer, strongly rooted in tradition, especially his Polish ancestry, but not being afraid of stretching tonality as far as possible (but without, as one contemporary put it, letting it sound ugly).
Guild 2cds GMCD7362-3
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