DVORAK

Slavonic Dances, op.46

Slavonic Dances, op.72

Iván Fischer with Budapest Festival Orchestra

Hybrid SACD (Works on all CD players)

Slavonic Dances, op. 46

No.1 in C major: Presto

No.2 in E minor: Allegretto scherzando

No.3 in A flat major: Poco allegro

No.4 in F major: Tempo di minuetto

No.5 in A major: Allegro vivace

No.6 in D major: Allegretto scherzando

No.7 in C minor: Allegro assai

No.8 in G minor: Presto

Slavonic Dances, op. 72

No.1 in B major: Molto vivace

No.2 in E minor: Allegretto grazioso

No.3 in F major: Allegro

No.4 in D flat major: Allegretto grazioso

No.5 in B flat minor: Poco adagio

No.6 in B flat major: Moderato, quasi minuetto

No.7 in C major: Allegro vivace

No.8 in A flat major: Grazioso e lento,

ma non troppo, quasi tempo di valse

Whereas the first set had featured predominantly Czech dances (with the exception of the second which evoked the Ukranian dumka — not, strictly speaking, a dance), the second set is more broadly Slavonic, incorporating Slovak, Polish, Serbian and Russian elements in addition to Dvorák’s favourite melancholy dumka strains. In these sixteen highly varied and colourful dances, Dvorák had fulfilled his original brief to perfection, creating stylised, even idealised dance fantasias which inter - mingle folk elements with his own inspired melodies so effectively, so disarmingly and so artistically that for the most part they have defied attempts by musicologists to uncover the folk sources. Dvorák justified his approach in 1894: From the rich stores of Slavonic folk music, in its Hungarian [i.e. Slovak], Russian, Bohemian and Polish varieties, the composers of the day have derived, and will continue to derive, much that is charming and novel in their music. Nor is there anything objectionable in this, for if the poet and painter base much of their best art on national legends, songs and traditions, why should not the musicians? – Iván Fischer Iván Fischer is founder and Music Director of the Budapest Festival Orchestra and Principal Conductor of the National Symphony Orchestra of Washington D.C. The partnership between Iván Fischer and his Budapest Festival Orchestra has proved to be one of the greatest success stories in the past 25 years of classical music.

Fischer introduced several reforms, developed intense rehearsal methods for the musicians, emphasizing chamber music and creative work for each orchestra member. Intense international touring and a series of acclaimed recordings for Philips Classics, later for Channel Classics have contributed to Iván Fischer's reputation as one of the world's most visionary and successful orchestra leaders.

Channel Classics SACD CCSSA90210