MOSTLY MOZART

WOLFGANG AMADEUS MOZART (1756–1791)

[1] Tiger! Wetze nur die Klauen (Zaide)

Zaide

ANTONIO SALIERI (1750–1825)

[2] Par les larmes dont votre fille (Hypermnestre)

Les Danaïdes

WOLFGANG AMADEUS MOZART

Recitative and Aria (Ilia):

[3] Quando avran fine omai

[4] Padre, germani, addio!

Idomeneo

[5] Ruhe sanft, mein holdes Leben (Zaide)

Zaide

Recitative and Aria (Zerlina):

[6] Ma se colpa

[7] Batti, batti, o bel Masetto

Don Giovanni

GIOVANNI PAISIELLO (1740–1816)

[8] Il mio ben quando verrà (Nina)

Nina, o sia La pazza per amore

WOLFGANG AMADEUS MOZART

Recitative and Aria (Susanna):

[9] Giunse alfin il momento

[10] Deh vieni, non tardar

Le nozze di Figaro

IGNAZ HOLZBAUER (1711–1783)

Recitative and Aria (Pfalzgräfin Anna):

[11] Es ist geschrieben

[12] Ihr Rosenstunden

Günther von Schwarzburg

WOLFGANG AMADEUS MOZART

[13] Vedrai, carino, se sei buonino (Zerlina)

Don Giovanni

JOHANN CHRISTIAN BACH (1735–1782)

[14] À qui pourrai-je avoir recours ? (Oriane)

Amadis de Gaule

WOLFGANG AMADEUS MOZART

[15] Ach, ich fühl's, es ist verschwunden! (Pamina)

Die Zauberflöte

ANTONIO SALIERI

[16] Père barbare, arrache-moi la vie ! (Hypermnestre)

Les Danaïdes

WOLFGANG AMADEUS MOZART

[17] Se il padre perdei (Ilia)

Idomeneo

IGNAZ HOLZBAUER

[18] Die Klüfte sausen! (Pfalzgräfin Anna)

Günther von Schwarzburg

Mojca Erdmann

La Cetra

Andrea Marcon

Mojca Erdmann’s Deutsche Grammophon recording debut combines a variety of Mozart’s best beloved arias and works by his contemporaries such as J.C. Bach, Holzbauer, and Paisiello. The album also features Andrea Marcon and the outstanding period instrumentalists of La Cetra Baroque Orchestra, Basle. Plans in 2011 include her debut at New York’s Metropolitan Opera as Zerlina in a new Don Giovanni.

Deutsche Grammophon 4778979