IL CONCERTO DELLE VIOLE BARBERINI Frescobaldi, Mazzocchi, Palestrina, Waesich, Kapsberger. Ensemble Mare Nostrum, Vox Luminis / Andrea De Carlo. Ricercar

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Il Concerto Delle Viole Barberini Luminis Andrea De Carlo Ricercar

IL CONCERTO DELLE VIOLE BARBERINI

The Barberini Consort Of Viols

Ensemble Mare Nostrum

Margaux Blanchard: treble viol

François Joubert-Caillet: treble & tenor viol

Amelie Chemin: bass viol

Sarah Van Oudenhove: bass viol

Bernard Zonderman : theorbo

Guy Penson : organ

avec la participation de

Ricardo Rodríguez Miranda, bass viol

Wieland Kuijken, bass viol

Vox Luminis

Zsuzsi Tóth, Sara Jäggi : sopranos

Paulin Bündgen : countertenor

Robert Buckland, Philippe Froeliger : tenors

Lionel Meunier: bass

Andrea De Carlo: bass viol & direction

Girolamo FRESCOBALDI (1583-1643)

Fiori Musicali (Roma, 1635)

1. Toccata avanti la Messa della Domenica

2. Canzon dopo l’Epistola (Messa della Domenica)

3. Toccata avanti la Messa delli Apostoli

4. Recercar dopo il Credo (Messa della Domenica)

5. Toccata cromatica per l’Elevatione (Messa della Domenica)

Domenico MAZZOCCHI (1592-1665)

Libro primo dei Madrigali (Roma, 1638)

6. Oh se poteste mai, luci adorate

7. Chuidesti i lumi, Armida

Giovanni Pierluigi da PALESTRINA

8. Ricercar del primo tono a 4

9. Ricercar del quarto tono a 4

Cherubino WAESICH

Canzoni a cinque (Roma, 1632)

10. Canzona decimasesta a 5

11. Canzona terza a 5

12. Ardo per voi (Madrigale a sei concertato con

l’istromenti)

13. Canzona quinta a 5

Giovanni Girolamo KAPSBERGER (c. 1580-1651)

Libro primo de Balli, Gagliarde et Correnti (Roma, 1615)

Ballo quarto

14. Uscita

15. Ballo

16. Gagliarda

17. Corrente

Girolamo FRESCOBALDI

Libro primo delle Canzoni (1634)

18. Canzona a 4 Sopra la Romanesca

19. Canzona a 5 Sopra Rugier

Cherubino WAESICH

Canzoni a cinque (Roma, 1632)

20. Canzona prima a 5

21. Canzona Duodecima a 5

22. O Rubella d’amor (Madrigale a sei concertato con l’istromenti)

Domenico SCARLATTI (1685-1757)

23. Sonata (si b minore) K. 87

We are inclined to forget that the viol family still enjoyed a certain success in the land of the violin at the beginning of the 17th century; works that were once performed in private concerts given in the palace of Cardinal Francesco Barberini now form part of this Concerto di viole. One of the Roman composers represented here is the enigmatic Cherubino Waesich, the author of the most important volume of canzoni and madrigals intended for these ensembles.

Ricercar RIC320

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