MAHLER Kindertotenlieder, Lieder eines fahrenden Gesellen, Ruckert-Lieder. Katarina Karneus, Gothenburg Symphony Orchestra / Susanna Malkki. BIS Records SACD

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Mahler Kindertotenlieder Lieder Eines Fahrenden Susanna Malkki Bis Records Sacd

GUSTAV MAHLER

Kindertotenlieder

Lieder eines fahrenden Gesellen

Rückert-Lieder

Katarina Karnéus (mezzo-soprano)

Gothenburg Symphony Orchestra / Susanna Mälkki

Swedish Mezzo-soprano and former winner of BBC Cardiff Singer of the World Competition, Katarina Karnéus is joined on this disc by the Gothenburg Symphony Orchestra and Finnish conductor Susanna Mälkki to perform three of Gustav Mahler’s orchestral songs.

As a composer, Gustav Mahler was absorbed by song and symphony as complementary genres deeply involved with each other. In his first symphony, Mahler included two themes from the song cycle Lieder eines fahrenden Gesellen, originally scored for voice and piano, which he had recently composed to his own poems. It was perhaps the experience of orchestrating these themes in his symphony that a few years later inspired Mahler to create the version for voice and orchestra.

All of the songs in Kindertotenlieder and Rückert-Lieder are settings of poems by the poet Friedrich Rückert, composed between 1901 and 1904. For Kindertotenlieder (Songs of the death of children) Mahler chose five of more than four hundred poems written by Rückert in reaction to the death of his two children: poems of despair, disbelief and resignation.

While Kindertotenlieder was conceived as a cycle, the Rückert-Lieder are more loosely connected with each other and they include some of the most sublime Mahlerian moments, for instance in Ich bin der Welt abhanden gekommen.

‘Urlicht, heart-stoppingly sung by Katarina Karnéus, became the spiritual centre of the piece’

The Guardian on Karnéus’ performance of Mahler’s Second Symphony.

BISSACD1600

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