MARTYNOV The Lamentations of Jeremiah. The Sirin Choir / Andrey Kotov. Brilliant Classics

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Martynov The Lamentations Of Jeremiah Andrey Kotov Brilliant Classics

Martynov

The Lamentations of Jeremiah

  • 1 I. Prologue 1 2’25
  • 2 II. Chapter I 15’01
  • 3 III. Prologue 2 2’28
  • 4 IV. Chapter II 22’52
  • 5 V. Prologue 3 2’25
  • 6 VI. Chapter III 12’40
  • 7 VII. Prologue 4 2’43
  • 8 VIII. Chapter IV 4’24
  • 9 IX. Prayer of the Prophet Jeremiah 12’10

Total time 77’12

The Sirin Choir / Andrey Kotov

Vladimir Martynov (born in 1946) is one of the leading composers of Russian Avant Garde after WW II. His ethno-musicological studies into the folk music of Russia, his philosophical and religious ideas and his great knowledge of Renaissance polyphony as well as Orthodox Chant all inspired his compositions, landmarks of Russian minimalism and neospirituality (comparable with Arvo Pärt and Giya Kancheli).

His Lamentations of Jeremiah are an expression of despair over the destruction of Jerusalem, or, in general, over the destruction of all ecological, ethical and aesthetical values of our time. At the same time it also presents a prayer of hope, the hope that despair will lead to construction and creation.

The work was written for the Sirin Choir, conducted by Andrei Kotov, whose interpretation we hear on this recording. Vladimir Martynov (b. 1946) is one of the leading composers of the Russian avantgarde, an experimentalist of serial, minimalist and electronic music. His interest in folk music and religious musicology led him to write several works on Christian themes after the fall of the Soviet Union.

The Lamentations of Jeremiah depicts the destruction of Jerusalem, as expressed through the testimony of the prophet Jeremiah. Each of the twenty-two verses is preceded by a corresponding letter from the Hebrew alphabet, and for the basic melodic material Martynov drew on the influences of Byzantine Octoechos, Gregorian chant, and ancient Russian and Balkan chants. Fragments of the work were premiered in Moscow in 1992, and the piece was performed in its entirety for the first time in 1993 at the December Soirées, where it attracted the attention of renowned stage director Anatoli Vassiliev. Vassiliev bestowed his dramatic wisdom on the performers, the Sirin Choir, combining the singing with movement and turning the work into a theatrical piece. The Lamentations later won the Golden Mask, the highest accolade in Russian theatre. The acclaimed Sirin Choir specialises in early Russian chant and consists of graduates from the Moscow Conservatory and the
Gnessin Institute. The choir has toured Europe and has won awards in numerous international competitions, in addition to its regular performances for television and radio.

Brilliant Classics 9403

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