MOZART Complete Pianoforte works. Bart Van Oort. Brilliant Classics 14cds

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Mozart Complete Pianoforte Works Bart Van Oort Brilliant Classics 14Cds

MOZART

Complete Pianoforte works

Bart Van Oort

CD1

SONATAS AND FANTASIES

Sonata in B flat major, KV. 333 (1783–84)

1. Allegro 7’15

2. Andante cantabile 7’23

3. Allegretto grazioso 6’12

4. Fantasy in D minor, KV. 397 (1782) 5’14

5. Fantasy in C minor, KV. 396 (1782) 8’59

Sonata in C major, KV. 330 (1781-83)

6. Allegro moderato 6’19

7. Andante cantabile 6’32

8. Allegretto 5’33

BART VAN OORT Fortepiano

Fortepiano after Walter (ca 1795) by Chris Maene (Ruiselede, 1995)

CD2

SONATAS, FANTASY AND ADAGIO`

Sonata in B flat major,

KV. 570 (1789)

1. Allegro 6’08

2. Adagio 8’13

3. Allegretto 3’57

4. Fantasy in C minor,

KV. 475 (1785) 11’13

Sonata in C minor, KV. 457 (1784)

5. Molto allegro 5’26

6. Adagio 7’51

7. Allegro assai 4’48

8. Adagio in B minor,

KV. 540 (1788) 6’52

Sonata in D major, KV. 576 (1789)

9. Allegro 5’35

10. Adagio 5’04

11. Allegretto 4’32

BART VAN OORT Fortepiano

Fortepiano after Walter (ca 1795) by Chris Maene (Ruiselede, 1995)

WOLFGANG AMADEUS MOZART

VARIATIONS, VOL. I

CD3

1. Nine variations 14’20

KV. 264 (1778)

on the arietta “Lison dormait” from the opera “Julie” by Nicolas Dezède

2. Twelve variations 14’11

KV. 353 (1778)

on the French song “Le belle Françoise”

3. Twelve variations 15’13

KV. 354 (1778)

on the Romance “Je Suis Lindor” from “Le Barbier de Seville” by Beaumarchais, music by Antoine-Laurent Baudron

4. Eight variations 11’16

KV. 352 (1781)

on the chorus “Dieu d'amour” from the opera “Les mariages Samnites” by André-Ernest-Modeste Grétry

5. Six variations KV. 398 (1783) 6’47

on “Salve tu, Domine” from the opera “I filosofi immaginarii” by Giovanni Paisiello

BART VAN OORT Fortepiano

Fortepiano after Walter (ca 1795) by Chris Maene (Ruiselede, 2000)

CD4

VARIATIONS, VOL. II

1. Six variations (KV. 581), 9’01

KV. Anh. 137 (after Sept. 1789)

on a theme from the Clarinet Quintet

2. Ten variations 12’52

KV. 455 (1783-84)

on the aria “Unser dummer Pöbel meint” from “La Rencontre imprévue” by Christoph Willibald Gluck

3. Twelve variations 8’39

KV. 500 (1786)

on an Allegretto

4. Nine variations

KV. 573 (1789) 13’34

on a Menuet by Jean-Pierre Duport

5. Eight variations 13’58

KV. 613 (1791)

on the song “Ein Weib ist das herrlichste Ding” from the Singspiel “Der dumme Gärtner” by J. Schack and F. Gerl

BART VAN OORT Fortepiano

Fortepiano after Walter (ca 1795) by Chris Maene (Ruiselede, 2000)

CD5

SONATAS AND RONDOS

Sonata in E flat major,

KV. 282 (1775)

1. Adagio 7’32

2. Menuetto I – Menuetto II 4’07

3. Allegro 3’07

4. Rondo in D major,

KV. 485 (1786) 6’46

Sonata in G major, KV. 283 (1775)

5. Allegro 6’05

6. Andante 6’40

7. Presto 6’16

8. Rondo in A minor, 10’02

KV. 511 (1787)

Sonata in D major, KV. 284 (1775)

9. Allegro 5’04

10. Rondeau en Polonaise 5’22

11. Andante.

Theme and twelve Variations 14’13

BART VAN OORT Fortepiano

Fortepiano after Walter (ca 1785) by Gerard Tuinman (Utrecht, 2002)

CD6

EARLY SONATAS AND VARIATIONS

Sonata in C major, KV. 279 (1775)

1. Allegro 4’59

2. Andante 5’26

3. Allegro 3’25

4. Twelve variations 12’43

KV. 179 (1774)

on a Menuet by Johann Christian Fischer

Sonata in F major, KV. 280 (1775)

5. Allegro assai 4’52

6. Adagio 6’27

7. Presto 2’55

8. Six variations 7’20

KV. 180 (1773)

on “Mio caro Adone” from the opera “La fiera di Venezia” by Antonio Salieri

Sonata in B flat major,

KV. 281 (1775)

9. Allegro 4’49

10. Andante amoroso 5’06

11. Rondeau: allegro 4’28

BART VAN OORT Fortepiano

Fortepiano: Anonymous, Vienna ca 1785,

Collection Edwin Beunk

CD7

SONATAS AND VARIATIONS

Sonata in C major,

KV. 309 (1777)

1. Allegro con spirito 5’40

2. Andante un poco adagio 4’57

3. Rondeau: allegretto grazioso 5’51

4. Three Variations 5’47

KV. 460 (1784)

on “Come un agnello” from the opera “Fra i due litiganti il terzo gode” by Giuseppe Sarti

Sonata in A minor,

KV. 310 (1778)

5. Allegro maestoso 5’30

6. Andante cantabile 9’41

7. Presto 2’51

8. Twelve Variations KV. 265 (1778) on the French song “Ah, vous dirai-je, Maman” 11’57

Sonata in D major, KV. 311 (1777)

9. Allegro con spirito 4’51

10. Andante con espressione 5’13

11. Rondeau: allegro 6’06

CD8

SONATAS AND DANCES

Sonata in A major,

KV. 331 (1781-83)

1. Andante grazioso. 13’47

Theme and six variations

2. Menuetto 6’13

3. Alla Turca: allegretto 3’28

Eight Minuets, KV. 315a* (1773)

4. Minuet in C 1’46

5. Minuet in G 1’43

6. Minuet in D 1’31

7. Minuet in C 1’49

8. Minuet in F 1’46

9. Minuet in D 1’51

10. Minuet in A 1’31

11. Minuet in G 2’03

Sonata in F major, KV. 332,

“Pastorale” (1781-83)

12. Allegro 6’43

13. Adagio 4’47

14. Allegro assai 7’06

15. Six German Dances, 11’28

KV. 509* (1787)

BART VAN OORT Fortepiano

Fortepiano after Walter (ca 1795) by Chris Maene

(Ruiselede, 2000)

*First recording on fortepiano

CD9

MOZART AND POLYPHONY

Prelude and Fugue in C major,

KV. 394 (1782)

1. Prelude 4’39

2. Fugue 4’54

Sonata in F major, KV. 533 (1788)

3. Allegro 8’20

4. Andante 10’37

5. Rondo: allegretto 6’05

Suite in C major, KV. 399 (1782)

6. Ouverture: grave – allegro 4’42

7. Allemande: andante 3’58

8. Courante: allegretto 2’35

9. Eine kleine Gigue,

KV. 574 (1789) 1’36

10. Marche funèbre del Sigr

Maestro Contrapunto,

KV. 453a (1784) 2’25

11. Prelude in F minor,

KV. Anh. 32* (1789) 2’03

Sonata in C major, KV. 545

12. Allegro 4’27

13. Andante 6’22

14. Rondo 1’54

Two short Fugues, KV. 154a* (1772–73)

15. Fugue in D 0’30

16. Fugue in G 0’30

BART VAN OORT Fortepiano

Fortepiano after Walter (ca 1800) by Gerard

Tuinman (Utrecht, 2001) · *First recording

CD10

MISCELLANEOUS KEYBOARD WORKS

1. Overture to Die Entführung 4’13

aus dem Serail, KV. 384 (1782-83)

2. Adagio in F major, 7’23

KV. Anh. A65 (1772-73)

3. Modulating Prelude, 4’05

KV. 624 (1776-1777)

4. Adagio in C major KV. 356 (1791) 3’05

for glass harmonica

5. Six Variations KV. 54 (1788) 6’31

on an Allegretto

6. March in C major, 3’28

KV. 408/1 (1782)

7. Minuet in D major KV. 355 5’41

(1789-90) and Trio by Stadler

8. Andante KV. 616 (1791) 7’02

for a mechanical organ in F major

9. Contredanse in D major 0’49

KV. 534 (1788) Das Donnerwetter

10. Capriccio in C major, 4’10

KV. 395 (1777)

Three piano pieces, arranged as a Sonata**

11. Allegro in G minor, 5’18

KV. 312 (1789-90)

12. A ndantino in E flat major, 2’14

KV. 236 (1790?)

13. Allegro in B flat major,

KV. 400 (1781) 6’45

BART VAN OORT Fortepiano

Fortepiano after Walter (ca 1800) by Gerard

Tuinman (Utrecht, 2001) · *First recording

**First time played together as a piano sonata

CD11

MOZART’S CHILDHOOD

1. Eight variations KV. 24 (1766) 5’29

on the Dutch song “Laat ons juichen, Batavieren!” by Christian Ernst Graaf

2. Andante in C, KV. 1a (1761) 0’24

3. Allegro in C, KV. 1b (1761) 0’15

4. Allegro del Sgr. 0’36

Wolfgango Mozart 11ten Decembris 1761 in F, KV. 1c

5. Menuetto del Sgr. Wolfgango Mozart 16to

Decembris 1761 in F, KV. 1d 1’02

6. Minuet and Trio in G, KV. 1’38

1e/f (1761-2)

7. Minuet in F, KV. 2 (1761-2) 0’52

8. Allegro in B flat major, 1’20

KV. 3 (1762)

9. Minuet in F, KV. 4 (1762) 1’12

10. Minuet in F, KV. 5 (1762) 0’56

11. Allegro in C, KV. 9a (1763) 2’45

12. Klavierstück in F, KV. 33B (1766) 1’00

13. Minuet in D, KV. 61g II (1769?) 1’47

14. Klavierstück in B flat major, 1’40

KV. Deest* (1768?)

15–50. London Sketchbook, KV. 15** (1765)

(detailed information in booklet)

51. Ballet music 8’07

from Ascanio in Alba, KV. 111*

(known as Nine Pieces for

Piano, KV. Anh. 207) (1771?)

52. Seven variations KV. 25 (1766) 6’25

on the Dutch song “Willem van Nassau”

BART VAN OORT Fortepiano

Fortepiano after Walter (ca 1795) by Chris Maene

(Ruiselede, 2000/2005) · *First recording

**First recording on fortepiano

CD12

KEYBOARD WORKS 4-HANDS, VOL. I

Sonata in D major, KV. 381 (1772)

1. Allegro 5’42

2. Andante 8’23

3. Allegro molto 4’18

4. Fugue in G minor, KV. 401 (1782) 3’38

Sonata in F major, KV. 497 (1786)

5. Adagio – allegro di molto 12’22

6. Andante 13’30

7. Allegro 7’46

BART VAN OORT Fortepiano primo

URSULA DÜTSCHLER Fortepiano secundo

Fortepiano after Walter (ca 1795) by Chris Maene (Ruiselede, 2000)

CD13

KEYBOARD WORKS 4-HANDS, VOL. II

Sonata in C major, KV. 19d (1765)

1. Allegro 6’19

2. Menuetto 3’11

3. Rondeau: allegretto 5’31

4. Fantasy in F minor for mechanical organ, KV.

608 (1791) 9’11

5. Andante and Variations in G major, KV. 501 (1786) 7’48

Sonata in C major, KV. 521 (1787)

6. Allegro 13’20

7. Andante 6’40

8. Allegretto 8’11

BART VAN OORT Fortepiano secundo

URSULA DÜTSCHLER Fortepiano primo

Fortepiano after Walter (ca 1795) by Chris Maene (Ruiselede, 2000)

CD14

KEYBOARD WORKS 4-HANDS AND TWO PIANOS

Sonata in C major, KV. 358 (1773-74)

1. Allegro 5’39

2. Adagio 6’52

3. Molto presto 4’10

4. Adagio and Allegro for mechanical organ in F minor, 9’01

KV. 594 (1790)

5. Fugue in C minor for two pianos, KV. 426 (1783) 4’14

Sonata in D major for two pianos, KV. 448 (1781)

6. Allegro con spirito 11’30

7. Andante 9’29

8. Molto allegro 6’37

BART VAN OORT Fortepiano primo (KV. 594, 448)

URSULA DÜTSCHLER Fortepiano primo (KV. 358, 426)

Fortepiano after Walter (ca 1795) by Chris Maene (Ruiselede, 2000)

Giorgio Mirto guitar

Maximo Diego

Brilliance, fluency, clarity and extraordinary communicative powers – Mozart seems to have had them all. Little wonder he was hailed as the finest pianist of his generation – even rivals such as Clementi commented ‘I had never heard anyone play with so much spirit and grace…’

Of course we have no idea how Mozart the pianist sounded. We have the reviews and comments of those who heard him perform, and we have the instruments of his time. These do take us some way to

understanding performance practice of the day, and the limitations of the instruments, and how composers of the late 18th century worked to test the instruments, and make greater demands upon the constantly evolving pianoforte.

On these 14 CDs, everything Mozart wrote for solo keyboard, or for 4-hands is here, from small works written down by his incredulous father Leopold when his son as just 5 years old, to the works of the child prodigy through to the masterpieces of the mature genius.

There is much that is well known here, but interestingly there are several first recordings. All the works are played on pianofortes of the period.

Extensive booklet notes on an accompanying CD-ROM

Includes world premiere recordings

First complete cycle using instruments of the period

Brilliant Classics 14cds 94198

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