MUSICI DA CAMERA Music from Eighteenth-Century Prague. Reichenauer, Fasch, Jiranek, Postel, Orschler. Collegium Marianum. Supraphon 2cds

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Musici Da Camera Works By Orschler Collegium Marianum Supraphon 2Cds

MUSICI DA CAMERA

Reichenauer; Fasch; Jiránek; Postel; Orschler Collegium Marianum

Sergio Azzolini – bassoon, Lenka Torgersen – violin, Helena Zemanova – violin; Collegium Marianum (on period instruments), artistic direction: Jana Semeradova

Recorded in the Church of Our Lady, Queen of Angels in Prague, July 2012 (CD1), June 2003 and September 2005 (CD2).

ANTONIN REICHENAUER* (c. 1694–1730)

Quartet in G minor for Violin, Cello, Bassoon and Basso continuo

(Rk 18) 12:52

1/ I. Adagio 3:04

2/ II. Allegro 4:11

3/ III. Adagio 3:18

4/ IV. Tempo di Menuet 2:15

JOHANN FRIEDRICH FASCH (1688–1758)

Quartet in D major for Flute, Violin, Bassoon and Basso continuo

(FaWV N:D1) 10:29

5/ I. Largo 3:19

6/ II. Allegro 1:54

7/ III. Largo 2:16

8/ IV. Allegro 2:48

FRANTIŠEK JIRANEK* (1698–1778)

Trio sonata in B flat major for Two Violins and Basso continuo

(Jk 27) 11:18

9/ I. Largo 4:19

10/ II. Allegro 3:43

11/ III. Allegretto 3:09

CHRISTIAN GOTTLIEB POSTEL* (c. 1697–1730)

Trio sonata in A major for Two Violins and Basso continuo 8:53

12/ I. [Adagio] 2:30

13/ II. Allegro ma non presto 3:11

14/ III. Adagio 1:40

15/ IV. Allegro 1:21

JOHANN FRIEDRICH FASCH

Concerto in C major for Flute, Violin, Bassoon and Basso

continuo (FaWV L:C3) 7:04

16/ I. Allegro 2:28

17/ II. Largo 2:15

18/ III. Allegro 2:14

JOHANN GEORG ORSCHLER* (1698–1767/70)

Trio in F minor for Two Violins and Basso continuo 14:14

19/ I. Intrada 3:19

20/ II. Siciliana 3:09

21/ III. Menuet – Trio 1:48

22/ IV. Fuga 5:44

Whereas Vivaldi needs no introduction whatsoever and other names (Caldara, Fasch, Tůma) are familiar to lovers of Baroque music, even specialists have only been getting to know the remarkable oeuvres of Reichenauer and Jiránek over the past few years, owing in large part to Supraphon’s Music From Eighteenth-Century Prague series.

Prague is that which all these composers had in common; for some of them the city represented a significant part of their career, for others a short episode or merely a way station. The Czech capital was a melting pot in which Dresden, Vienna, Naples and Venice came together and the influences of all the major European musical centres were recast. In aristocrats’ exquisite palaces, and to the delight of their masters, these superlative artists performed their own chamber music, whose originality and splendour we can rediscover today. The CD blends the refinement and spontaneous musicality of the renowned Collegium Marianum with the Italian vivacity of their special guest, the phenomenal bassoonist Sergio Azzolini.

The splendour and refinement of the music that resounded in Prague Baroque palaces.

Supraphon 2cds SU41122

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