Early music augmented
By Jim D.
Mixing music from the earliest polyphonic Requiem setting with contemporary compositions, this is not the kind of thing I would have expected to like (but I did!). Bent Sorensen was commissioned by conductor Paul Hillier to assemble some music he had already written, and to compose more, to fill out the missing bits of Ockeghem's "Missa pro defunctis" into a complete concert piece. (In his earlier recording, appropriate plainchants were used for the missing movements.) The new music is not a pastiche of the old; it is clearly in its own style--though both draw at times from the even older chant. Sorensen's additions sound to me relatively austere at first, but become more dissonant as the work goes on. Director and chorus are equally at home in early music and modern, and are presented in state-of-the-art sound. Texts, translations, notes on the composer and the project.