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JOHANNES OCKEGHEM
1. Missa "De plus en plus" - Kyrie
2. Missa "De plus en plus" - Gloria
3. Missa "De plus en plus" - Credo
4. Missa "De plus en plus" - Sanctus
5. Missa "De plus en plus" - Agnus Dei
6. Presque transi
7. Prenez sur moi vostre exemple amoureux
8. O rosa bella
9. Aultre Vénus estes sans faille
10. S'elle m'amera
11. Tant fuz gentement
12. Mort tu as navré de ton dart
Orlando Consort
Johannes Ockeghem (1420c-1495) was born in what we now know as Belgium, then called the Duchy of Hainault, part of the Duke of Burgundy’s territory. Little is known of his early years or his training, but we do know he was employed at the cathedral in Mons, then as ‘vicaire-chantuer’ at Antwerp cathedral in 1443. He later worked for Charles I, Duke of Bourbon, and, later, his son, Louis XI at Notre Dame in Paris. He was one of the most influential and respected composers of his day, and was friends with great contemporaries such as Dufay and Binchois.
His music is remarkable for the freedom, imagination and resourcefulness with which he handles compositional procedures, and in the way he writes for the voices. Each voice is treated equally, and the way he word - paints, or treats the texts marks him out as one of music’s great innovators.
His surviving output is small – a handful of Masses, and the delightful Chansons – whether the work is a large scale mass, or a small light hearted song, his gift for a long and complex rhapsodic line is apparent.
Brilliant Classics 94073
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