VALENTIN SILVESTROV

Sacred Works

Liturgical chants (2005)

1. Litany

2-5. Four spiritual songs (Christmas song/Dithyrambic song/Cherubic song/Alleluia)

6. Bless, O Lord

7. O Holy God

8. The Creed

9. Gloria

10. Hymn of the Cherubs

11. The Beatitudes

12. Ave Maria

Two spiritual songs (2006)

13. Alleluia

14. Ave Maria

Two spiritual chants (2006)

15. A Mercy of Peace

16. To Thee we Sing

Two Psalms of David (2006)

17. Fret not thyself because of the ungodly (Psalm 37)

18. O Praise God in His

Sanctuary (Psalm 150)

Diptych (1995)

19. The Lord’s Prayer

20. Testament (from the poems of T.H. Shevchenko)

Alleluia (2006)

21. Evening

22. Morning

23. Night

Kiev Chamber Choir / Mykola Hobdytsch

This album of sacred a cappella works from recent years - music of haunting beauty, characterised in turns by calm introspection and serene lightness - offers a fascinating addition to the wide spectrum of works by Valentin Silvestrov on ECM New Series. The imprint, recently named ‘Label of the Year’ in the 2009 Gramophone Awards, has championed the Ukrainian master (born 1937) since 2001, but Sacred Works represents a new development by the composer.

Silvestrov’s compositions for chamber choir have a uniquely transparent sound with otherwordly shifting harmonies and free timing. The pieces were written mostly in 2005/06 on the instigation of chorus master Mykola Hobdych and these ravishing performances – displaying astounding flexibility and polish – are very much “authentic”: the Kiev Chamber Choir have repeatedly studied the pieces with the composer and gave the premières of the majority. Silvestrov’s interest in the choir came comparatively late. Partly due to conductor Mykola Hobdych’s persistent encouragement, he immersed himself more deeply in the choral world and began to study old Russian litanies. Once he had started reading them, he was so fascinated that he wrote some 40 minutes of music within two weeks. By treating the choir as an ensemble of “extremely modest” soloists and dividing the sections into small groups, Silvestrov acquires unique sonic and harmonic effects and an utmost flexibility of melody and rhythm. Its lyrical fluency and introvert tenderness brings Silvestrov’s choral writing close to his much-lauded Silent Songs, to Requiem for Larissa and his music for solo piano.

ECM New Series 4763316