TALBOT, JOBY Tide Harmonic. Dew Point, Hadal Zone, Storm Surge, Algal Bloom, Confluence. Jeremy Holland-Smith, Manon Morris, Deian Rowlands, Rob Farrer, Steve Gibson, Everton Nelson, Patrick Kiernan, Eos Chater, Jeremy Holland-Smith. Signum

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Talbot Joby Tide Harmonic Dew Eos Chater Jeremy Holland-Smith Signum

JOBY TALBOT

Tide Harmonic

Dew Point, Hadal Zone, Storm Surge, Algal Bloom, Confluence

Joby Talbot, Jeremy Holland-Smith (keyboards)

Manon Morris, Deian Rowlands (harp)

Rob Farrer, Steve Gibson (perc)

Everton Nelson, Patrick Kiernan, Eos Chater, Rick Koster (violins)

Morgan Goff (viola)

Chris Worsey, Ian Burdge (cello)

Mary Sculley (bass)

Jeremy Holland-Smith (conductor)

Joby Talbot studied with Simon Bainbridge at the Guildhall and in 2004 was named Classic FM's first Composer in Residence. The 2008 dance collaboration, Eau, with Carolyn Carlson and the Orchestra National

de Lille, later became Tide Harmonic, described by its composer as: “… a kind of water symphony that, rather than constructing a poetic or narrative programme inspired by man’s relationship with water, instead focuses on the substance itself, the forces that act upon it, & the energy that flows through and from it”.

Talbot most recently worked with choreographer Christopher Wheeldon on Alice’s Adventures In Wonderland for The Royal Ballet to very enthusiastic reviews.

This is Signum’s second disc of Talbot’s work, and comes five years after Path of Miracles (SIGCD078) with the professional chamber choir Tenebrae, Nigel Short's exceptional ensemble. "Path of Miracles is little short of a musical miracle in itself. I would go so far as to suggest that this is to the first decade of the 21st century what Arvo Pärt's Passio was twenty years earlier" ClassicalSource.com

"Joby Talbot's superlative score and Crowley's gorgeous effects rarely falter. The White Rabbit has a tinkling, crystalline theme, in obedience to which Watson darts around with neurotic, time-checking precision. Talbot's music swoops, flutters and shimmers in concord with Alice's mood, now flutish and inquiring, now brassily perplexed, and for her duets with Jack, transformed by her dream into the Knave of Hearts, he delivers passages of spun-sugar lyricism." The Observer

"The real engine powering the show is Joby Talbot's score, a storming piece of work spiced with exotic woodwind, James Bond brass, and an ironmongers'-worth of percussion, deployed with thrilling climactic

control." The Independent on Sunday

"An out-and-out success is Joby Talbot's wonderful score, vivid, eclectic, lyrical, dramatic, full of colour and apt to characters and incident... Late in Act I, [is] the full-scale corps de ballet number: a

lovely and populous Flower Waltz (with Talbot pulling out all the stops in his luscious music)." The Sunday Times

Signum SIGCD260

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Box sets - Depending on the product packaging, box sets are not charged at the full rate.
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