TCHAIKOVSKY Secular Choruses. The Moscow Academy of Choral Singing / Victor Popov. Brilliant Classics

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Tchaikovsky Secular Choruses The Moscow Singing Victor Popov Brilliant Classics

TCHAIKOVSKY

Secular Choruses

1 Evening

2 Autumn

3 Child’s Song

4 Blessed is he who smiles

5 Why does the sound of the revels grow silent?

6 Much too soon in the season

7 Old French Air

8 Dawn

9 Nature and Love

10 Before sleep

11 A golden cloud slumbered

12 A greeting to Anton Rubinstein

13 The Nightingale

14 It is not the cuckoo

15 Night

16 Hymn to Cyril and Methodius

17 A Legend

18 Neapolitan Air (adaptation for chorus by Klimov)

The Moscow Academy of Choral Singing / Victor Popov

In the field of choral music Tchaikovsky is known as the first Russian composer to have composed cycles of the Liturgy and the Vespers, but his considerable output of secular choral music is less well-known, and a delightful surprise. These secular choruses are little jewels, written for various types of choir, with all the familiar qualities of melody and rich harmony that we associate with Tchaikovsky.

Some, including Autumn, Child’s Song and A Legend (from 16 Children’s Songs Op.54), and the pastoral Dawn were written for solo voice or duet, and Night, a vocal quartet with piano, but Tchaikovsky soon realised that they sounded better as choruses. Autumn and Child’s Song both have a tenor solo, and contrast well with each other: a misty autumnal poem of lethargic melancholy and a comical, playful little ditty. Another highlight is the melancholy Old French Air, with its timeless charm, which also appears as a minstrel’s song in Tchaikovsky’s opera The Maid of Orleans. Other works of note include the radiant Nature and Love, a sentimental trio for soprano, mezzo and contralto, three-part female chorus and piano, and the meditative nocturne Before Sleep, composed in his student years. Greeting to Anton Rubinstein is an extraordinary seven part piece written for the 50th anniversary of Rubinstein’s career.

The Nightingale is without a doubt Tchaikovsky’s finest achievement in choral music, a magnificent reconstruction of a folk song. The vocal quartet Night is a tribute to Mozart, who Tchaikovsky idolised, and is an arrangement of the middle section of Mozart’s Fantasy in C minor for piano. The finale, Neapolitan Air, is a little choral divertissement whose tune was derived from Swan Lake.

The Moscow Academy of Choral Singing, directed by Victor Popov, specialises in performing Russian choral music.

Tchaikovsky, composer of shattering symphonies and delightful ballet suites, also received commissions to compose music for ceremonial and official occasions (like any famous composer he had to work for his money…).

These works often included a choir, to express the often patriotic character of the occasions.

Also in these works Tchaikovsky displays his wonderful melodic gift, his sense of drama and the often necessary feeling of “pomp and circumstance’.

Excellent performances by the Chorus of the Academy of Choral Art, conducted by Viktor Popov. Rare, seldom heard repertoire.

Brilliant Classics 94210

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