TELEMANN 36 Fantasies for Harpsichord. Andrea Coen. Brilliant Classics 3cds

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Telemann 36 Fantasies For Harpsichord Andrea Coen Brilliant Classics 3Cds

TELEMANN

36 Fantasies for Harpsichord

Andrea Coen – harpsichord

CD 1

Fantasia in D TWV33: 1

1 I. Allegro 1’20

2 II. Adagio 1’30

3 III. Allegro 1’25

Fantasia in D minor TWV33: 2

4 I. Presto 1’29

5 II. Adagio 1’15

6 III. Presto 1’33

Fantasia in E TWV33: 3

7 I. Vivace 1’31

8 II. Largo 2’31

9 III. Vivace 1’35

Fantasia in E minor TWV33: 4

10 I. Allegro 1’24

11 II. Dolce 0’43

12 III. Allegro 1’29

Fantasia in F TWV33: 5

13 I. Vivace 1’40

14 II. Largo 0’49

15 III. Vivace 1’42

Fantasia in F minor TWV33: 6

16 I. Tempo di Minuetto 1’59

17 II. Largo 1’06

18 III. Tempo di Minuetto 2’04

Fantasia in G TWV33: 7

19 I. Presto 1’30

20 II. Largo 0’58

21 III. Presto 1’35

Fantasia in G minor TWV33: 8

22 I. Vivace 1’27

23 II. Cantabile 2’44

24 III. Vivace 1’33

Fantasia in A TWV33: 9

25 I. Allegro 1’40

26 II. Grave 0’46

27 III. Allegro 1’44

Fantasia in A minor TWV33: 10

28 I. Allegro 1’53

29 II. Largo 1’01

30 III. Allegro 1’56

Fantasia in B flat TWV33: 11

31 I. Allegro 1’59

32 II. Largo 1’03

33 III. Allegro

Fantasia in E flat TWV33: 12

34 I. Vivace 1’24

35 II. Largo 0’42

36 III. Vivace 1’26

Andrea Coen harpsichord

CD 2

Fantasia in C minor TWV33: 13

1 I. Tendrement 1’22

2 II. Vivement 1’16

3 III. Tendrement 1’29

4 IV. Très vite 0’32

Fantasia in C TWV33: 14

5 I. Gravement 2’29

6 II. Gayment 1’30

7 III. Gravement 2’38

8 IV. Allegrement 0’44

Fantasia in B minor TWV33: 15

9 I. Pompeusement 1’35

10 II. Allegrement 0’59

11 III. Pompeusement 1’36

12 IV. Gayment 0’38

Fantasia in D TWV33: 16

13 I. Gratieusement 1’38

14 II. Vivement 1’33

15 III. Gratieusement 1’39

16 IV. Vite 0’36

Fantasia in G minor TWV33: 17

17 I. Mélodieusement 1’27

18 II. Spirituellement 1’24

19 III. Mélodieusement 1’36

20 IV. Vite, en sol min. 0’32

Fantasia in B flat TWV33: 18

21 I. Tendrement 1’50

22 II. Gayment 1’25

23 III. Tendrement 0’32

24 IV. Vite 0’30

Fantasia in A minor TWV33: 19

25 I. Lentement 1’53

26 II. Allègrement 1’07

27 III. Lentement 1’53

28 IV. Vivement

Fantasia in A TWV33: 20

29 I. Gratieusement 1’54

30 II. Vite 1’10

31 III. Gratieusement 0’37

32 IV. Gayment 0’53

Fantasia in E minor TWV33: 21

33 I. Flateusement 1’21

34 II. Vivement 1’05

35 III. Flateusement 1’27

36 IV. Très vite 0’41

Fantasia in G TWV33: 22

37 I. Modérément 1’47

38 II. Vivement 1’51

39 III. Modérément 1’47

40 IV. Gayment 0’43

Fantasia in G minor TWV33: 23

41 I. Pompeusement 1’56

42 II. Allègrement 1’11

43 III. Pompeusement 1’39

44 IV. Vite 0’30

Fantasia in B flat TWV33: 24

45 I. Gratieusement 2’34

46 II. Gaillardement 1’05

47 III. Gratieusement 1’19

48 IV. Vitement 0’59

CD 3

Fantasia in F TWV33: 25

1 I. Vivace

2 II. Tempo giusto

3 III. Vivace

Fantasia in D minor TWV33: 26

4 I. Vivace

5 II. Largo

6 III. Vivace

Fantasia in E minor TWV33: 27

7 I. Tempo giusto

8 II. Presto

9 III. Tempo giusto

Fantasia in G TWV33: 28

10 I. Vivace

11 II. Dolce

12 III. Vivace

Fantasia in G minor TWV33: 29

13 I. Allegro

14 II. Soave

15 III. Allegro

Fantasia in C minor TWV33: 30

16 I. Gratioso

17 II. Vivace

18 III. Gratioso

Fantasia in A TWV33: 31

19 I. Presto

20 II. Arioso

21 III. Presto

Fantasia in A minor TWV33: 32

22 I. Vivace

23 II. Minuet

24 III. Vivace

Fantasia in B minor TWV33: 33

25 I. Allegro

26 II. Con pompa

27 III. Allegro

Fantasia in D TWV33: 34

28 I. Allegro

29 II. Dolce

30 III. Allegro

Fantasia in E flat TWV33: 35

31 I. Vivace

32 II. Moderato

33 III. Vivace

Fantasia in B flat TWV33: 36

34 I. Vivace

35 II. Arioso

36 III. Vivace

While Telemann is, today, considered among the very greatest of Baroque composers, he was one of the last of the period to be reappraised by later generations, and his music had to be ‘rediscovered’, just as that of J.S. Bach and Vivaldi was. Despite this, he enjoyed a great deal of fame during his lifetime, and his long career resulted in a vast output. He was, in fact, one of the most prolific composers of any age, and travelled widely, assimilating different styles into his own compositions. This allowed him to produce music of such individuality and quality, with a noticeable sense of ease, that it must have astonished his colleagues and patrons, as it does us today.

The 36 Fantasias for harpsichord were published in 1732/3, and are divided into three groups of 12 – the second set is in the French style, while the outer sets are in the Italian style. Each fantasia closes with a da capo repeat of the first movement, expertly and sensitively embellished by harpsichordist Andrea Coen.

These are energetic and energising works, at once intellectual and entertaining ‘so that the player enjoys them, and you can take pleasure from that (because) variety revives the spirit’ as Telemann commented.

Brilliant Classics 3cds 94228

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