THE COUNTER-TENORS Philippe Jaroussky, Iestyn Davies, Ensemble Matheus, Andreas Scholl. Naive

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The Counter-Tenors Philippe Jaroussky Iestyn Ensemble Matheus Andreas Scholl Naive

THE COUNTER-TENORS

VIVALDI: Nisi dominus, RV608 Cum dederit delectis suis somnum, Dixit Dominus De torrente, Orlando Furioso, RV728

Sol da te, mio dolce amore, Griselda RV718 La Rondinella Amante, Orlando 1714 RV819 Piangero, sin che l’onda del pianto, Montezuma RV723, Gl’oltraggidella sorte

BACH Cantata BWV 175 Komm, leite mich, Cantata BWV85, Jesus ist ein guter hirt

PURCELL: O solitude, my sweetest choice! GLUCK: Che faró senza Euridice?

DOWLAND: Can she excuse, Flow my tears

CHARPENTIER: Mors Saülis & Jonathae H403 Ecquid ad surdos nunc spargo carmina?

HANDEL: Giulio Cesare in Egitto HWV17 Va tacito e nascosto

BONUS TRACK from Farinelli, il castrato OST: BROSCHI: Son qual nave ch’agitata

Philippe Jaroussky, Iestyn Davies, Ensemble Matheus / Spinosi

Andreas Scholl, Concerto Vocale Leipzig, Ens baroque de Limoges / Coin Gérard Lesne, Il Seminario Musicale

James Bowman, La grande écurie & la

Chambre du Roy / Malgoire

David DQ Lee, Modo Antiquo / Sardelli, Dominique Visse

Ewa Mallas-Godlewska, Derek Lee Ragin, Les Talens Lyriques / Rousset

The 1994 film 'Farinelli' catapulted the countertenor voice into the limelight. Nearly 20 years later, one thing is clear: countertenors are sought after by opera houses, record companies and agents more than ever. The English singer James Bowman was one of the pioneers of the countertenor repertoire: his ability to create a luscious sound with a fluid legato is ably demonstrated in his legendary recording of the aria from Gluck’s Orfeo ed Euridice, “Che faro senza Euridice”, and in “Va tacito e nascosto” from Handel’s Giulio Cesare.

In the French countertenor firmament Dominique Visse stands out for his musicianship. His voice takes on a biting, slightly stinging quality in the aria from Vivaldi’s 'Montezuma'. Gérard Lesne founded Il Seminario Musicale in 1985.

Today Lesne’s expanded musical horizons include both jazz and pop recordings. The American Derek Lee Ragin, took off with his recording of the 'Farinelli' soundtrack. The film’s director, Gérard Corbiau, had the bold idea of mixing Ragin’s countertenor voice with that of soprano Ewa Mallas-Godlewska, thereby creating the unique timbre of a castrato. Andreas Scholl's excerpts from two Bach cantatas showcase his fascinating timbre as well as his sense of rhetoric and phrasing.

A brilliant new generation of counter-tenors continues to carry the torch. Foremost among them is Philippe Jaroussky; his instantly recognisable voice is of an audacious purity. Iestyn Davies, born in 1979, is a great admirer of James Bowman.

His voice combines expressive flexibility and technical agility, and these qualities stand out in his recording of an aria from Vivaldi’s 'Griselda'. The rising Korean star David DQ Lee displays robust vocal foundations and masterful breathing technique.

If further proof of the countertenors’ achievements were needed, it can be found in the fact that major opera houses now slate works with entirely male casts, bringing together up to nine countertenors! What was once just a fashion has become the cutting edge.

Naïve V5328

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