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WOMEN AT THE PIANO Vol. 1
An Anthology of Historic Performances (1926-1952)
SAINT-SAËNS: Toccata d’après le 5e concerto (Monique de la Bruchollerie)
PHILIPP: Feux-follets (Guiomar Novaes)
PALMGREN: Evening Whispers (Iris Loveridge)
ARENSKY: Étude de concert in F sharp major (Marie Novello)
COUPERIN: Le Carillon de Cithère (Gaby Casadesus)
PICK-MANGIAGALLI: La Danza di Olaf (Sari Biro)
DEBUSSY: Poissons d’or (Myra Hess)
GUION: Country Jig in D major (Jeanne Behrend)
VIANNA: Corta-Jaca (Reah Sadowsky)
PROKOFIEV: Valse, Op. 65 No. 2 (Ray Lev)
HANDEL: Passacaglia in G minor (Maryla Jonas)
FALLA: Andaluza (Aline Isabelle van Barentzen)
BAX: Paean (Harriet Cohen)
STAVENHAGEN: Menuetto scherzando (Eileen Joyce)
MILHAUD: Alfama (Marguerite Long)
RACHMANINOV: Prelude in G minor (Ruth Slenczynska)
GRÜNFELD: Soirée de Vienne (Hilde Somer)
CHABRIER: Bourrée fantasque (Emma Boynet)
LISZT: Feux Follets (Jeanne-Marie Darré)
PIERNÉ: Étude de concert (Lucette Descaves)
PADEREWSKI: Cracovienne fantastique in B minor; (Una Mabel Bourne)
LISZT: Les Jeux d’eaux à la Villa d’Este (Moura Lympany)
Music history and reference volumes were written almost exclusively ‘by men, for men, about men’ pianists. Naxos redresses this imbalance by presenting a comprehensive multi-compact disc anthology of historic performances by pioneering women pianists of the first half of the twentieth century, beginning with the present volume.
Each pianist will be represented by one exemplary selection, with detailed information on both the artist and the recording. Great care is being lavished on making this endeavour a seamless listening experience, by matching the acoustical quality of the various pianos used in so many different venues.
Naxos Historical 8111120
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