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17th CENTURY SACRED MUSIC IN WROCLAW Gli Angeli Geneve, Wroclaw Baroque Orchestra / Stephan Macleod. Claves

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17Th Century Sacred Music In Wroclaw Baroque Orchestra Macleod Claves

17th CENTURY SACRED MUSIC IN WROCLAW

ASPRILIO PACELLI (1570–1623) Dum esset rex (Sacrae cantiones, Venice, 1608
ADAM JARZEBSKI (C. 1590–C. 1648) Concerto secondo (from Canzoni e concerti, 1627
MIKOLAJ ZIELENSKI (C. 1550–C. 1615) Communio Introibo ad altare Dei (Dominica in Sexagesima)
BIAGIO MARINI (1594–1663) Sonata per l’Organo. Violino o cornetto (Sonate symphonie canzoni… Op. 8, Venice, 1629)
DANIEL BOLLIUS (C. 1590–C. 1638) Dialogo a due voci e 6 stromenti, Domine puer meus jacet in domo (ms. Breslau)
FRANCISZEK LILIUS (C. 1600–C. 1657) Exultabit cor meum (ms. Breslau)
GIOVANNI VALENTINI (C. 1582–1649) Sonata à 5 Voci (ms. Breslau)
PAUL SCHÄFFER (C. 1580–1645) Jauchzet dem Herren alle Welt – Jubileum Nuptiale (ms. Breslau, 9.05.1645)
TOBIAS ZEUTSCHNER (1621–1675) Der Herr gebe euch vom Tau des Himmels (ms. Breslau, 15.05.1656)
MARCO SCACCHI (C. 1602–1662) Tod, du darfst nicht glauben (contrafactum Donna voi vi credete from Madrigali a cinque, Venice, 1634 – ms. Breslau)
GIOVANNI LEGRENZI (1626–1690) Sonata VII La Donata a due, violino e violone o fagotto (Sonate a due e tre, Op. 2, Venice, 1655)
CRATO BÜTNER (1616–1679) O quanta in coelis laetitia (ms. Breslau, 1654)
TARQUINIO MERULA (1595–1665) O Jesu mi dulcissime (contrafactum O Salutaris from Pegaso, opera musicale, Venice, 1640 – Ambrosius Profe, Erster Theil gestlicher Concerten und Harmonien, Leipzig, 1641)
PHILIPP FRIEDRICH BUCHNER (1614–1669) Sonata XIV. 2 Violin. e Fagotto (Plectrum musicum Op. 4, Frankfurt, 1662)
MARTIN MAYER (C. 1650–C. 1712) Heilig ist der Herre Zebaoth (ms. Breslau, 1676)

Gli Angeli Geneve, Wroclaw Baroque Orchestra / Stephan Macleod

17th Century Wroclaw (then Breslau) was one of Europe’s important musical centres. Its three main Protestant churches – St. Elisabeth, St. Mary Magdalene and St. Bernardine – collected extensive music libraries. Their repertoire was shaped both by prints imported from Italy and Germany, and by works composed by local cantors and organists employed in church ensembles. A separate collection of nearly 400 prints from 1610–55 remained in private hands. During World War II, however, they were taken away from the city and dispersed after 1945. Some items have not been found until now. The majority of the prints returned to Wroclaw. Numerous manuscripts were considered lost until the late 1980s, when they reappeared in the Berlin Staatsbibliothek. They found their way there from Moscow, where some items of the former Breslau library still remain.

Claves 501805

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