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GABRIELI FOR BRASS Venetian Extravaganza. Royal Academy of Music and Juilliard School Brass. Linn

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GABRIELI FOR BRASS Venetian Extravaganza

1. Gabrieli: Canzon duodecimi toni a 10 (II) from Sacrae symphoniae, 1597
2. Gabrieli: Sonata octavi toni a 12 from Sacrae symphoniae, 1597
3. Lappi: Canzon undecima 'La Serafina' a 4 from Canzoni per sonare, 1608
4. Gabrieli: Sonata pian e forte a 8 from Sacrae symphoniae, 1597
5. Gabrieli: Canzon V a 7 from Canzoni et sonate, 1615
6. Gabrieli: Canzon septimi toni a 8 (II) from Sacrae symphoniae, 1597
7. Frescobaldi: Canzon terza a due canti, 1634
8. Gabrieli: Sonata XVIII a 14 from Canzoni et sonate, 1615
9. Gabrieli: Canzon VIII a 8 from Canzoni et sonate, 1615
10. Massaino: Canzon No. 33 a 8 from Canzoni per sonare, 1608
11. Gabrieli: Canzon 'La Spiritata' a 4 from Canzoni per sonare, 1608
12. Gabrieli: Canzon noni toni a 12 from Sacrae symphoniae, 1597
13. Gabrieli: Sonata XXI 'con tre violini' from Canzoni et sonate, 1615
14. Viadana: Sinfonia 'La Bergamasca' a 8 from Sinfonie musicali, 1610
15. Gabrieli: Canzon III a 6 from Canzoni et sonate, 1615
16. Buonamente: Sonata a 6 from Sonate et canzoni, 1636
17. Gabrieli: Sonata XIX a 15 from Canzoni et sonate, 1615
18. Gussago: La Bottana a 4 from Sonate a quattro, sei et otto, 1608
19. Gabrieli: Sonata XX a 22 from Canzoni et sonate, 1615

Royal Academy of Music and Juilliard School Brass

This fascinating transatlantic musical collaboration between the brass players of London's Royal Academy of Music and New York's Juilliard School presents enduring masterpieces by Giovanni Gabrieli and his Venetian contemporaries.

Under the direction of Reinhold Friedrich, renowned trumpet soloist and Principal Trumpet of the Lucerne Festival Orchestra, the players blend modern instruments and intellect with 16th-century technique and tuning to excel in this profoundly challenging repertoire.

The beautiful acoustic of St Jude's, Hampstead results in a gloriously sonorous soundscape; burnished waves of rich, warm trombones alternate with the brilliant, crystalline articulation of trumpets.

Academy Principal Jonathan Freeman-Attwood, who roduced he recording, states: 'We're hoping it will show Gabrieli as the composer of great intimate music as well as wonderfully grandiloquent Venetian polyphony.'

This remarkable recording features some of the most compelling and attractive instrumental music of the late Renaissance era and boasts performances worthy of Gabrieli's extraordinary legacy and the reputation of these two outstanding institutions.

Linn CKD581

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