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MONTEVERDI Messa a quattro voci et salmi of 1650. Volume II. The Sixteen / Harry Christophers. Coro

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Monteverdi Messa A Quattro Voci The Sixteen Harry Christophers Coro

CLAUDIO MONTEVERDI (1567-1643)
Dixit Dominus (Secondo) a8 SV192
Laetatus sum a5 instrumenti & 6 voci SV198
Messa a quattro voci SV190
Laudate Dominum a due bassi SV197a
Confitebor tibi Domine (Primo) SV193
Lauda Jerusalem a5 SV203
Nisi Dominus a6 SV201

FRANCESCO CAVALLI (1602-76)

Salve Regina

ALESSANDRO PICCININI (1566-c.1638)

Ciaccona in G major

Monteverdi’s sacred vocal compositions introduced the expression of powerful and personal emotions to the world of church music. Whilst it took him a number of years to find fulfilment in his work, Monteverdi was a revered composer within his lifetime and his music is regarded as revolutionary, marking the change from the Renaissance style to that of the Baroque. This album comprises some of the finest works from Monteverdi’s years as director of music at St Mark’s in Venice, published posthumously in 1650 as the Messa a quattro voci et salmi.


Monteverdi’s sacred vocal compositions introduced the expression of powerful and personal emotions to the world of church music. Whilst it took him a number of years to find fulfilment in his work, Monteverdi was a revered composer within his lifetime and his music is regarded as revolutionary, marking the change from the Renaissance style to that of the Baroque. This album comprises some of the finest works from Monteverdi’s years as director of music at St Mark’s in Venice, published posthumously in 1650 as the Messa a quattro voci et salmi.

Coro COR16160

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