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PERPETUAL NIGHT 17th Century Ayres and Songs. Lucile Richardot, Ensemble Correspondances / Sebastien Dauce. Harmonia Mundi

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Perpetual Night Lucile Richardot Ensemble Correspondances Sebastien Dauce

PERPETUAL NIGHT 17th Century Ayres and Songs

1 Robert Johnson - Care-charming sleep
2 William Lawes - Whiles I this standing lake
3 John Coperario - Go, happy man
4 Robert Ramsey - What tears, dear Prince, can serve
5 William Lawes - Music, the master of thy art is dead
6 Nicholas Lanier - No more shall meads
7 Robert Ramsey - Go, perjured man
8 John Jenkins - Pavan in F
9 John Banister - Give me my lute
10 Robert Ramsey - Howl not, you ghosts and furies
11 William Lawes - Britanocles the great and good appears
12 William Webb - Powerful Morpheus, let thy charms
13 John Hilton - Rise, princely shepherd
14 James Hart - Adieu to the pleasures
15 John Banister - Amintas, that true hearted swain
16 John Blow - Poor Celadon, he sights in vain (Loving above himself)
17 Matthew Locke - Saraband
18 Henry Purcell - When Orpheus Sang
19 John Jackson - Phillis, oh! turn that face away
20 John Blow - Epilogue: Sing, sing, Ye Muses

Lucile Richardot
Ensemble Correspondances / Sebastien Dauce

The circulation of artists and sovereigns between France and England in the seventeenth century resulted in the establishment of highly original genres in the latter country: the first recitatives, large-scale airs from masques and dramatic 'scenes' provided fertile ground for experimentation and prepared the way for the birth of semi-opera. Sébastien Daucé explores this English vocal art in a programme tailor-made for one of today's most fascinating voices: Lucile Richardot, in the exquisite setting provided by Ensemble Correspondances, subtly blends music, love, night and melancholy.

Harmonia Mundi HMM902269

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