STRAUSS Don Juan STRAVINSKY Firebird Suite DVORAK Symphony No. 8 SIBELIUS Symphony No. 2. Philharmonia Orchestra / Sir John Barbirolli. Barbirolli Society 2cds
Barbirolli conducts Strauss, Stravinsky, Dvorak & Sibelius
Strauss: Don Juan
Stravinsky: Firebird Suite
Dvorak: Symphony No. 8
Sibelius: Symphony No. 2
Philharmonia Orchestra / Sir John Barbirolli
The performances conducted by Barbirolli were broadcast whilst on a South American tour with the Philharmonia in August 1963 in the Teatro Colón, Buenos Aries.
These performances by an orchestra with which Barbirolli soon struck up a close association following his return to EMI in 1962 (his first recording under this new contract was with the Philharmonia Orchestra) is particularly interesting, in that the programmes on this relatively extensive South American tour included music with which Barbirolli was not closely associated publicly either with the composers or the individual works.
So we have two symphonies, by Dvorák and Sibelius, which were, one might say, staples of his repertoire, alongside two works which he much less-rarely programmed played by an orchestra of international renown whose association with Barbirolli was not, at the time, considered to be particularly close. Barbirolli's grasp of the evergreen Dvorák G major Symphony is total a really vivid performance in fine style, perceptible through the rather dated broadcast sound, a reading which adheres pretty strictly to the score with refreshing effect, especially of the entrancing third movement.
All-in-all, here is a vivid and sunlit performance of this exceptionally beautiful and vigorous symphony, as spacious and expressive as the music deserves.
Barbirolli's reading of the Second Symphony of Sibelius is equally fine; a beautifully turned account and one would have thought conductor and orchestra had been partners in this masterpiece for years.
In the less-frequently-encountered scores in Barbirolli's repertoire, as we can hear all too clearly, the performances of the Strauss and Stravinsky works rank highly. Both accounts are exceptionally clear-cut, without ever sacrificing the warmth that even in early Stravinsky forms part of the pictorial narratives of each masterpiece.
Such is the range of expression in these concert performances that one can
at the distance of more than half-a-century claim each one to be of a standard
such as is rarely heard in live performances at any level today, the brilliance
and sensitivity of the Philharmonia Orchestra readily apparent across the intervening
decades. The audiences in South America must have been thrilled at the outcome
of this visit by such distinguished musicians as we can readily hear and acknowledge.
Barbirolli Society SJB109293
|Release Period||September 2018|