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THE GONZAGA BAND Venice 1629. Faye Newton, Jamie Savan, Helen Roberts, Oliver Webber, Theresa Caudle, Steven Devine. Resonus Classics

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The Gonzaga Band Venice 1629 Resonus Classics

Venice 1629
The Gonzaga Band

Dario Castello (fl. 1st half 17th century)
1. Sonata terza
Claudio Monteverdi (1567–1643)
2. Exulta, filia Sion
Biagio Marini (1594–1663)

3. Canzon prima, per quattro violini, ò cornetti
Heinrich Schütz (1585–1672)
4. Paratum cor meum
Biagio Marini
5. Sonata per l’organo, violino, ò cornetto
Alessandro Grandi (1586–1630)
6. Regina caeli
Martino Pesenti (c.1600–c.1648)
7. Corrente detta La Granda *
Orazio Tarditi (1602–1677)
8. Plaudite, cantate *
Biagio Marini
9. Capriccio, che due violini, sonano quattro parti
Giovanni Carrone (fl. 1629)
10. Congratulamini mihi *
Ignazio Donati (c.1570–1638)
11. Maria Virgo *
Alessandro Grandi
12. Salva me, salutaris Hostia *
Benedetto Rè (fl. 1607–1629)
13. Lilia convallium *
Martino Pesenti
14. Corrente detta La Priula
Biagio Marini
15. Sonata senza cadenza
Heinrich Schütz
16. Exultavit cor meum
Dario Castello
17. Sonata decima settima, in ecco

Total playing time [68:27]

* world premiere recording

Faye Newton (soprano), Jamie Savan (director & cornes), Helen Roberts (corne), Oliver Webber (violin), Theresa Caudle (violin & corne), Steven Devine (organ & harpsichord)

1629 was a remarkable year for new music in Venice. Heinrich Schütz, came to the city to learn of the latest music from Claudio Monteverdi and his contemporaries, publishing the seminal first volume of his Symphoniae Sacrae during his visit.

With the publication of further landmark collections from Dario Castello, Alessandro Grandi and Biagio Marini, this particular year provided a key moment in the development of the Italian Baroque style.

Acclaimed period ensemble The Gonzaga Band makes its Resonus debut with a fascinating programme of works from this period that chart the journey through this incredible year for music.

Resonus Classics RES10218


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