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UN JARDIN A L` ITALIENNE / IN AN ITALIAN GARDEN Airs, cantatas & madrigals. Works by Handel, Vivaldi, Banchieri etc. Les Arts Florissants / William Christie, Paul Agnew. Harmonia Mundi

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Un Jardin A L Italienne Christie Paul Agnew Harmonia Mundi

Un jardin à l' italienne / In an Italian Garden
Airs, cantatas & madrigals (Le Jardin des Voix #2)

1 Adriano Banchieri: Già che ridotti siamo
2 Orazio Vecchi: Fate silentio (L'humore musicale)
3 Alessandro Stradella: Sinfonia [Allegro], Amanti, olà, olà, Hor non fia chi paventi, D'amore a l'invito, Ritornello,
Chi rese delirante (Amanti olà, olà, Accademia d'Amore, cantata)
4 George Frideric Handel: Ah stigie larve, ah scelerati spettri! (Orlando HWV31)
5 Giaches de Wert: Queste non son più lagrime
6 Antonio Vivaldi: Ah sleale, ah spergiura (Orlando furioso RV Anh.84)
7 Handel: Lascia la spina, cogli la rosa (Il trionfo del Tempo e del Disinganno HWV 46a)
8 Vivaldi: Gelosia, tu già rendi l’alma mia (Ottone in villa RV729)
9 Vivaldi: Care pupille (La virtu trionfante dell'amore, e dell'odio, overo Il Tigrane RV740)
10 Stradella: Benché ascritto non sia d'amor nell'Accademia, Si guardi dai dardi d'amor,
Unito il Disinganno a la Ragione, Dotto Maestro e more (Amanti olà, olà, Accademia d'Amore)
11 Domenico Cimarosa: Vè che matta, maledetta! ( L'impresario in angustie)
12 Joseph Haydn: Donne belle! Che mai far deggio? Aria Io sposar l'empio tiranno, Che dici?
Sposo (La canterina Hob.XXVIII:2)
13 Domenico Sarro: Recitar! Aspetto un impresario forastiero, Nibbio mi chiamo, Ma vuol ch’io parta,
Amore prepara (L'impresario delle Canarie, Intermezzi I & II)
14 Haydn: Scellerata! mancatrice! traditrice! (La canterina Hob.XXVIII:2)
15 Haydn: Son confuso e stupefatto (Orlando paladino, (Hob.XXVIII:11)

Les Arts Florissants, directed by William Christie & Paul Agnew
Luciá Martín-Carton (soprano)
Léa Desandre (mezzo)
Carlo Vistoli (countertenor)
Nicholas Scott (tenor)
Renato Dolcini (baritone)
John-Taylor Ward (bass)

This concert was recorded live at the Melbourne Recital Centre in Australia within the framework of Le Jardin des Voix: the Academy launched by Les Arts Florissants in 2002 as a showcase for young talent. William Christie and Paul Agnew, the co-directors of the Academy, are well known as fine teachers and indefatigable talent-spotters. Here they present six promising young singers, hitherto unknown to the general public, who were auditioned and recruited from almost 200 candidates.

"Love, hatred, jealousy, disenchantment and wrath are expressed by turns in 'Orlando furioso', probably the most influential text of that period. De Wert’s madrigal ‘Queste non son più lagrime’ borrows lines from Ariosto’s masterpiece, while Handel’s Orlando and Vivaldi’s Orlando furioso, excerpts from which are presented here, both take inspiration from it. If the first part of our recording describes the expressive powers of early Baroque, the second part is a light-hearted exploration of later works, with musicians themselves as the subject."

Harmonia Mundi HAF8905283

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